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Thanks for your work

by Gorka Gil Fernández

For those trades that go unnoticed before our eyes, and to whom we owe everything at the same time

My home tastes like almonds

by Alessandro Manzotti Ferraro

Solastalgia: “the homesickness you have when you are still at home” The project focuses on this neologism coined by philosopher Glenn Albrecht, which comes from the combination of the Latin word sōlācium (comfort) and the Greek suffix -algia (pain, affliction). The word solastalgia defines an existential malaise caused by environmental and climate collapse. A concept related to eco-anxiety, solastalgia represents the loss of comfort and security we feel when a place that is dear to us, a place that we call home, is transformed and disfigured by a force or phenomenon beyond our control. Solastalgia, unlike nostalgia, is not the result of being far from home, but the result of continuing to live in a place that has become unrecognizable to the eyes, memory, and heart. The distress of living in a ruined home is reflected in the discomfort of inhabiting a body, the home of a Self, now stripped of its future. Through my photos, I give concrete and visible form to this modern condition by creating a dialogue between bodies that are magnificent, decadent like statues from a golden age now gone, with minimalist, dreamlike, and nightmarish interiors, stripped of all elements of comfort. This project is a visual investigation of this novel concept, an inevitable product of an era of permanent environmental crisis which is just beginning to make its mark in the field of psychology, and that is still largely unexplored by the artistic community. The photographs, taken using digital techniques, are self-portraits or portraits of non-professional models who all share the suffering of solastalgia. Although the project is still expanding, a selection of images has been published in a limited-edition book of the same name and exhibited in France (Paris), Belgium (Brussels), and Italy (Novara, Milan).

Ad astra

by Emile Khalikov

The look

by Emile Khalikov

Mysterious miss

by Svetlana Konstantinova

Mysterious miss

Self-portrait

by Anna Pennie

Facets of Presence

by Anna Fors

The light falling behind the glass erases features and smooths curves, transforming the figure into an elusive outline. The photograph captures the moment when a person becomes pure geometry of light. The hands, like two anchors, hold the figure in place, preventing it from disappearing completely.

Homage to Mucha

by Giandomenico Veneziani

In times gone by, when there was no electricity, people were more tied to the seasons. Their life, their diet and their habits adapted to the seasons and exploited them. For example, a farmer rested in the winter and sharpened his tools. In the spring he prepared the soil and planted the seeds. In the summer he nourished the crop and protected it from pests such as insects, weeds and animals. In the autumn he reaped the results of his efforts and patience and reaped the harvest. And then he repeated the cycle. In the modern world, due to all the technologies, we have lost touch with the seasons. We follow the same routine, the same diet and the same lifestyle throughout the year. This makes us forget the natural circles of life and therefore creates an imbalance in our lives. Like the seasons of nature, those of life are also personal seasons: Winter season: sadness, heartache, loneliness, illness... The season of spring - hope, new beginnings, opportunities Season of summer: signs of growth, need for protection, abundance of distractions. The season of autumn: successes and achievements, failures

Gaze

by Emile Khalikov

Vulnerable Acts

by Elya Kezene

Vulnerable Acts is a photographic series that examines sensuality, solitude, and the porous boundary between self and the world. Across six works — Dissolution, Fracture, Cocoon of Light, Inhale, Between, and Vulnerability — the body negotiates openness and concealment through veils, meshes, and ephemeral gestures. The works register a movement: from dissolving into light (Dissolution), through splitting and multiplicity of presence (Fracture), to enclosure beneath a translucent sheath (Cocoon of Light), and onward to intimate acts of breathing and attentiveness (Inhale). Between sets the face on the threshold between revealing and withdrawing, and Vulnerability names the series’ central concern: how fragility becomes a way of presence and endurance rather than mere passivity. Taken together, these images propose vulnerability as a material condition — a space where risk and resilience, exposure and protection, softness and resolve coexist. The series reframes solitude not as absence but as an encounter: a field in which the senses test the boundary of the self and discover modes of being that are at once fragile and durable.

Hands

by Ahmad Loukili

Movement

by Emile Khalikov

Touch it

by Anna Spector

Back to you

by Giandomenico Veneziani

“I'm on a mission. My world is dying, everything around me loses life force. Everything fades away and the battle for survival is turning into hatred and pain. I travel in search of a solution. I have no destination, there is no point of arrival. I move around trying to capture the essence of rebirth. There is a gap in front of me, I think it's a door: through it... suddenly a wave submerges me. I am about to drown and I know that I have to swim hard to emerge from these strange and rushing waters. I close my eyes and when I open them again I find myself floating on a body of water. I don't know where I am, this new world is different from mine. I'm tired, but with the little strength I have left I try to emerge from this sea. I think my journey cannot end with a surrender. My only purpose is to be able to save my fellow men, my mind is pervaded only by this goal. I wander through unknown and hostile lands. The heat suffocates me and that big star on the horizon burns my skin. I'm about to give up. My appearance has changed, my shape is no longer the same. I know it's still me, even if I have a hard time recognizing myself. At one point, bordering on desperation, I notice something: a light calls me insistently, it scares me, but at the same time it fascinates me. Slowly I approach. The voice of the light becomes more and more intense. My body shakes. Here she is! That light takes possession of me, it enters by tearing my skin. No pain. I can perceive serenity and harmony. My body has new energy. It pervades me, it runs through my veins, I feel it. I have become a new being. Now I know I can go home. My people need me. Only by getting lost did I understand how to find my way home and now I bring with me the solution to the drama my people are facing." Concept: Back to you is a photographic project with a cinematic style oriented towards the science fiction genre. Through a succession of images in sequence we want to visually tell the story of our main character who, for some reason, finds himself catapulted to Earth, deserted, inhospitable and hostile. He has a very specific purpose, that is to find a source of lost energy, contained in a casket that centuries earlier had been sent to Earth so that the inhabitants could benefit and use it not only as a source of energy, in fact, but as a source of aggregation and kindness towards others. Unfortunately, humans have not been able to use this energy given to them by another distant world. Our protagonist will therefore necessarily have to find her to go home and save his world. At first he finds himself disoriented, desperate and above all he feels alone. Luckily he manages to find the chest, put on the energy source and finally return home to save his people and who he truly loves.

Rainbow Reverie

by Monia Vitacolonna

Through the Mirror

by Anastasiia Tikhonova

A reflection on self-perception and reality, exploring the duality between what we see and what truly exists.

Guide for Men

by Kolenteyeva Natalya

A visual guide exploring masculinity, identity, and modern manhood through artistic expression.

Origin from the depths

by Monia Vitacolonna

Living water

by Anna Zurashvili

Part of the Living water series exploring themes of emotion, identity, and personal transformation.

Thin.Not.Beautiful

by Irina Cheremisina

In a world where beauty ideals are constantly shifting, thinness is often celebrated—until it isn’t. This photographic project confronts the paradoxical and often harmful standards imposed on women’s bodies, particularly those who fall on the slender end of the spectrum. Through a series of visual works, I document and interpret real phrases directed at me over the years—remarks like “Skin and bones!”, “Your face looks sunken”, “Get tested! Something is clearly wrong with you!”, “You’d be beautiful if you gained some weight.” Each image is a reflection of these unsolicited comments, which reduce a person’s appearance to a subject of public discussion and criticism. This project is not just about being thin—it’s about being scrutinized, misunderstood, and body-shamed. It’s about the emotional toll of constantly being told how to exist, how to look, and how to change. By bringing these statements out of the shadows of memory and into visual form, I aim to shed light on a rarely acknowledged side of body shaming. I invite viewers to question the toxic narratives we’ve internalized about beauty, and to see individuality—rather than conformity—as the most authentic expression of self. Ultimately, this work is a reclaiming of voice, body, and identity. It is a reminder that every body tells a different story, and every woman holds a unique truth worth seeing and honoring.