Artwork Series

Guards of the place

The project is my attempt to perceive the landscape as a living being. I work with fragments of the natural environment: rocks, sand, water, trees, bare earth and through mirrored symmetry I reveal hidden figures emerging on the edge of recognition. This is how "guardians" are born it is manifestations of the place itself, its memory and tension. "Guardians of Place" exist between abstraction and figure, between document and myth. The project explores the boundary where the landscape ceases to be a backdrop and acquires subjectivity. It is a dialogue with the territory, in which the individual is neither master nor observer, but a guest, attempting to recognize the presence of another. The project invites the viewer to stop, look closely, and ask themselves: what exactly is this space guarding and from what?

Carrier of Peace

The project documents birds — traditional symbols of peace — in states of pollution and suffering. It records the contradiction between cultural imagery and physical reality: paint fragments, wounds, tense poses expose anthropogenic pressure on peace's carrier. The red line emphasizes the rupture between symbol and reality, marking loss of original meaning. It examines how signs of peace become victims of consumer environments, transforming from symbols into testimonies of destruction.

Liquid Reflections

This series explores the transformation of landscape through reflection. Rather than photographing trees and sky directly, the images are created by isolating their mirrored forms on the surface of moving water. Light, current, and subtle shifts in motion reshape the forest into fluid vertical lines, fractured color, and rhythmic distortions. The abstraction is not digitally constructed; it exists naturally in the interaction between water and light. The camera records what is already present but often overlooked. By focusing on the reflected image alone, the familiar landscape dissolves into something less fixed and more perceptual. Structure becomes movement. Solidity becomes flow. What appears stable reveals its quiet instability. These photographs invite viewers to slow down and reconsider what they are seeing. The forest is no longer a place, but a living surface — constantly shifting, shaped by time and motion. In this space between recognition and abstraction, the landscape becomes fluid, reflective, and alive.

Vulnerable Acts

Vulnerable Acts is a photographic series that examines sensuality, solitude, and the porous boundary between self and the world. Across six works — Dissolution, Fracture, Cocoon of Light, Inhale, Between, and Vulnerability — the body negotiates openness and concealment through veils, meshes, and ephemeral gestures. The works register a movement: from dissolving into light (Dissolution), through splitting and multiplicity of presence (Fracture), to enclosure beneath a translucent sheath (Cocoon of Light), and onward to intimate acts of breathing and attentiveness (Inhale). Between sets the face on the threshold between revealing and withdrawing, and Vulnerability names the series’ central concern: how fragility becomes a way of presence and endurance rather than mere passivity. Taken together, these images propose vulnerability as a material condition — a space where risk and resilience, exposure and protection, softness and resolve coexist. The series reframes solitude not as absence but as an encounter: a field in which the senses test the boundary of the self and discover modes of being that are at once fragile and durable.

Rainbow Reverie

Love story

Ловить Любовь

Origin from the depths

Where summer lives

Where summer lives is a visual exploration of childhood memory, of how it feels from within: endless, bright, and utterly real. Water from a rusty pump, a leap into hay, bare feet on an old windowsill — these simple scenes become symbols of freedom and happiness, which in childhood are taken as the most natural part of life. The series reminds us that childhood is not a time but a state of soul, perhaps the most honest and pure thing we are able to carry within us.

Dualism

This series of photographs explores dualism as an internal state rather than as a contrast of external roles. The feminine and the masculine here exist not as gender markers, but as two coordinate systems — vulnerability and control, intuition and structure, the physical and the social. They coexist within a single body, engage in dialogue, conflict, and temporarily reconcile. The heroine's image is deliberately split: reflection, divided outfit, changing attributes. Dress and suit, flower and strict line, bare skin and closed form — visual codes through which the process of self-identification unfolds. The mirror becomes a space of interaction. The project addresses the fragile balance between the internal and the imposed, between who a person is and who they have learned to be. Dualism here is not a conflict to be resolved, but a state in which genuine presence is possible. The series invites the viewer not to choose a side, but to linger in the moment between them.

Thin.Not.Beautiful

In a world where beauty ideals are constantly shifting, thinness is often celebrated—until it isn’t. This photographic project confronts the paradoxical and often harmful standards imposed on women’s bodies, particularly those who fall on the slender end of the spectrum. Through a series of visual works, I document and interpret real phrases directed at me over the years—remarks like “Skin and bones!”, “Your face looks sunken”, “Get tested! Something is clearly wrong with you!”, “You’d be beautiful if you gained some weight.” Each image is a reflection of these unsolicited comments, which reduce a person’s appearance to a subject of public discussion and criticism. This project is not just about being thin—it’s about being scrutinized, misunderstood, and body-shamed. It’s about the emotional toll of constantly being told how to exist, how to look, and how to change. By bringing these statements out of the shadows of memory and into visual form, I aim to shed light on a rarely acknowledged side of body shaming. I invite viewers to question the toxic narratives we’ve internalized about beauty, and to see individuality—rather than conformity—as the most authentic expression of self. Ultimately, this work is a reclaiming of voice, body, and identity. It is a reminder that every body tells a different story, and every woman holds a unique truth worth seeing and honoring.

Perfectly Imperfect

The perfect geometric figure, the circle, is broken in the representation of her logo. This symbol is her mirror: it reflects herself and her vision of the world and it is always associated with her slogan “I try to find beauty in things that are imperfect. Like me”. She always felt unsatisfied with today's society's communication. She have felt imperfect for many years in a world that would want her to be too perfect and promotes values of absolute perfection (bodies, thoughts, job career, family…) until, after years and years, she simply learned to accept herself and turn all her inadequacy into a plus. She brings the same poetics into digital art. She began to distort everything she was given by society: everything seems to be too perfect, too schematic, too pre-set, too symmetrical and at the same time so terribly unreal. Always hovering between realism and surrealism, between irony and riddles of the modern man, Giulia mixes bright colors to give life to an environment where thanks to her art and above all, thanks to multiple self-portrait techniques, she can feel more comfortable, free and real.

Entre flores y piel

Esta serie se adentra en la representación de la figura femenina en la fotografía, explorando su vínculo simbólico con la flor como elemento visual y emocional. A través las fotografías , el proyecto propone una mirada a la sensualidad y la identidad de la mujer desde una perspectiva íntima, alejada de los estereotipos y de las representaciones tradicionales que tienden a cosificar o simplificar lo femenino. El proyecto busca ofrecer una reinterpretación estética del retrato femenino, donde la sensualidad se expresa desde lo sutil y lo introspectivo, y donde la flor actúa como vehículo expresivo de una feminidad compleja.